Hey again
Here's one I finished recently - another study for my graphic novel. The driver character I've posted sketches of previously, and of course his car, also from a previous post.

Cheers!



The Nest - Te Kohanga is quite unique in that it has a number of treatment and recovery rooms that are glass walled and so able to be viewed by the Zoo-going public, and integrated in and around the building is an educational visitor experience, conceptualised, designed and built by Locales, a company with whom I work.

Hey there - I was a bit chuffed to be told on the weekend that one of the pieces (above) I painted up for Christian Gossett's The Red Star: Sword of Lies has been included in the Spectrum Exhibition, currently on at the Museum of American Illustration in New York City.
Trying to find my main character... I've been avoiding this for quite some time now, having done some initial sketches and paintings a while ago. I guess because it feels like the stakes are higher - like doodling just won't do.
Hey there! Following a brief work-enforced hiatus, Fat Dog Friday returns to thrill you with canine obesity...
Hi there - this drawing is of the car driven by the character I posted sketches of a couple of weeks ago - the rugged dude with the goggles.
Hey all - I've had a pretty full-on couple of weeks with freelance work, so in the absence of any decent self-driven project work to show you... here's another fat dog.
Hi there - this is a piece that I've never really finished, and at this point I'm not really sure that I ever will. It started life as a pretty awful pencil drawing, progressed into quite an average digital painting, and then enjoyed a new lease of life when some time later I worked back into it, adjusting proportions, repainting surfaces etc.
Hey all - here are some sketches of a secondary character from the graphic novel, but hopefully someone who will be appearing a bit more here on the blog - in his own strip. Hopefully... that's the plan anyway. And we all know what they say about plans...
For various reasons I have pretty much stopped doing pencil drawings over the last few years, and have almost exclusively worked straight into Photoshop using my Wacom tablet, and I've been relatively happy with this situation. However, in an effort grab some more time for the development of my graphic novel, I've started using a PENCIL to sketch up ideas and designs in a book, when previously I may have been staring slack-jawed at the television, or crying into my pillow, or eating pies, etc.
Hey all - here's an illustration I did a while back for Wizards of the Coast's Dragon mag. As is true for most of my work these days, I did a quick sketch in Photoshop for client approval, and then proceeded to block it out in black and white. Once I was happy with that, I layed in the colour, and continued to paint (still in Photoshop) into it, pretty much until I ran out of time... that's often my signal to stop.
That's the 13th annual Independent Publisher Book Awards! Me and some of my former Weta colleagues handled the digital painting on this book, and had a blast doing it. Nice to have taken part in such a high quality publishing venture... Congratulations, Christian and The Red Star!
